By Mike James
Right Hand Patterns for Guitar
A complete right hand method book for guitar: strumming, finger picking, flat picking and hybrid picking.
36 lessons275 right-hand patterns9 parts
Before you begin Getting started
Holding the pick, the strumming motion, and how every pattern in the book is labeled.
Part 1 Basic Strumming
Down and up strums in quarter, eighth and sixteenth notes, in 4/4, 3/4, 6/8 and 12/8.
- Basic 4/4 & 3/4 Patterns Down strums on the beat. p. 3
- Basic 4/4 8th Note Patterns Down on the beat, up on the “&”. p. 4
- Basic 3/4 8th Note Patterns Eighth notes in three. p. 5
- 6/8 & 12/8 Patterns Counting in six and in 1 & a. p. 6
- Basic 4/4 16th Note Patterns 1 e & a. p. 7
- Basic 3/4 16th Note Patterns Sixteenth notes in three. p. 8
Part 2 Split Range & Bass Note Strumming
Strum the bass strings and the treble strings separately, then pick out the chord's root and 5th.
- Split Range Strumming and Single Bass Notes Bass strings like a pianist's left hand; the root and the 5th. p. 9
- Single Bass Note Diagrams The root and 5th of the six common chord forms. p. 10
- Split Range 4/4 Patterns Bass, treble and full-range strums on the beat. p. 11
- Split Range 4/4 8th Note Patterns Treble up strums between the beats. p. 12
- Split Range 3/4 Patterns Quarter and eighth notes in three. p. 13
- Split Range 6/8 & 12/8 Patterns Bass on the big beats. p. 14
Part 3 Syncopated Strumming
Leave out a strum on the beat and the next up strum pushes the rhythm.
- Syncopated 4/4 Patterns Missing a down strum, keeping the hand moving. p. 15
- Syncopated 3/4 & 6/8 Patterns Syncopation in three and in six. p. 16
- Syncopated 4/4 16th Note Patterns Up strums on the “a”. p. 17
- Syncopated 3/4 16th Note Patterns Sixteenth-note syncopation in three. p. 18
- Syncopated 4/4 Split Range Patterns Bass on 1, syncopated treble strums. p. 19
- Syncopated 3/4 Split Range Patterns The same in three. p. 20
Part 4 Muted Strumming
Relax the fretting hand on a strum for a percussive “chk”.
Part 5 Finger Picking
P-I-M-A: the thumb on the bass strings, three fingers on the treble strings.
- Finger Picking Digit Assignments P-I-M-A, and the thumb's bass notes. p. 23
- Finger Picking 4/4 Patterns (1 of 2) Arpeggios with the thumb on 1 and 3. p. 24
- Finger Picking 4/4 Patterns (2 of 2) Pinches, block chords and sixteenth-note rolls. p. 25
- Finger Picking 3/4 Patterns Arpeggios and pinches in three. p. 26
- Finger Picking 6/8 Patterns Arpeggios in six. p. 27
- Finger Picking 12/8 Patterns Rolling in 1 & a. p. 28
Part 6 Flat Picking
Single notes with the pick: picking in rhythm, then sweep picking a scale.
Part 7 Hybrid Picking (Accompaniment Patterns)
The pick plays the bass while the middle, ring and pinky fingers pluck the chord.
- Hybrid Picking Digit Assignments P-M-A-E: pick, middle, ring, pinky. p. 32
- Hybrid Picking Basic 4/4 Patterns Bass and chord, then both together. p. 33
- Hybrid Picking Basic 3/4 & 6/8 Patterns Waltz and 6/8 accompaniment. p. 34
- Hybrid Picking 12/8 & Syncopated 4/4 Patterns Shuffle feel, and chords off the beat. p. 35
- Hybrid Picking With Strumming Pluck the bass and chord, then strum with the pick. p. 36
Part 8 Hybrid Picking (Single Note Patterns)
Rolling single notes between the pick and the fingers.
Part 9 Practice
The book's own practice plan: the most common patterns, each at a set tempo.